Sans titre (Rééducation), Ivana Adaime Makac - T.O.E. Art Market
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Original Art for sale | Limited Edition

Ivana Adaime Makac

Represented by: IPERCUBO
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Sans titre (Rééducation)
Silkscreen on paper / 2017
cm 50x35
Price 500 €

About the artwork
Délitage (Rééducation) 2017 and Sans titre (Rééducation) 2017 are silkscreen prints Ivana Adaime Makac did during her residency at Centre d’art le Bel ordinaire, Pau In a similar, or even stronger, fashion to Formes Noires, these works are traces of the Rééducation project: Sans titre is the print of a leaf half eaten by the silkworms, and Délitage is a print of a tulle mesh—in fact, a tool the artist “invented” to be able to clean the spaces in which the silkworms live in her studio. So in a way, both are part of the process of breeding and care Adaime Makac dedicates to the insects.

About the artist
Ivana Adaime Makac is a visual artist, born in 1978 in Argentina, she lives in Paris since 2008. After studies of art history in Universidad de Buenos Aires she obtains her diploma (DNSEP) at École supèrieure d’art des Pyrénées in 2006 and a MA art research at Université Paris-Panthéon Sorbonne in 2010. Her work has been exhibited in France, Argentina, Italy, Belgium, Spain, Canada, United States, Libya and China. Solo shows: Ateliers vortex, Dijon, France (2015); Centre d’art contemporain de Pontmain, France (2012); Centre d’art contemporain du Luxembourg Belge, Montauban-Buzenol (2011); La chambre blanche, Quebec, Canada (2008); Ancient French consulate of Tripoli, Libya (2004); Galeria de la Alianza Francesa Central, Buenos Aires, Argentina (2002). Among the group shows she participated in (selection): Pages Blanches, interdisciplinary project curated by Alice et caetera, Art Gallery of Nanjing University, China (2019); Domande sul vivente, curated by Gabriela Galati, aA29Project Room, Milan, Italy (2018); All around Us, curated by Ali Momeni, Wood street Galleries, Pittsburg, USA (2017); Enchanter le réel, curated by Claire Lambert, Le bel ordinaire, Billière, France (2017); Naturalia et artificialia, curated by ECCENTRIC Art & Research, Superstudio, Milan, Italy (2016), Pages blanches, La place, Barcelona, Spain(2015); Cabinet de curiosités, Naturalia, Vol.2, curated by Raphael Rivoire, Artothèque de Saint Priest, France (2013); Spécimens, curated by Projet COAL, Domaine de Chamarande, France (2012); Une mouche dans la tête, curated by Virginie Bourget, Clisson, France (2012); PI, Paysage invisible, curated by Hervé Vachez, Gallerie Satellite, Paris (2011); Salon de Montrouge #55, curated by Stéphane Corréard, France (2010); Flux-2, Curated by Centre d’art Georges Pompidou, Cajarc, France (2007); Accès(s) Festival cultures électroniques, Pau, France (2007); À suivre, Le bbb, Toulouse, France (2006); Bridgestone Young Artist Biennal, Centro Cultural J.L. Borges, Buenos Aires, Argentina (2000) She took part of several art residencies programs: Maisons Daura, Residence internationale d’artistes, Saint-Cirq-Lapopie, France (2007), La chambre blanche, Quebec, Canada (2008), Centre d’art contemporain du Luxembourg belge, Montauban-Buzenol, Belgium (2011) Centre d’art contemporain de Pontmain, France (2012) Domaine de la garenne Lemot, Clisson, France (2012), Le bel ordinaire, Billière, France (2017). She was nominated to the Projet COAL Prize in 2013, and obtained an honourable mention from the jury at Mulhouse 007 (Fair of young artists graduated in European art schools, Mulhouse, France).
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